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Skelita Bust

Skeletons in the Canon: Skelita Calaveras

A skeleton is a type of physically manifested undead often found in fantasy, gothic and horror fiction, and mythical art. Most are human skeletons, but they can also be from any creature or race found on Earth or in the fantasy world.

Animated human skeletons have been used as a personification of death in Western culture since the Middle Ages, a personification perhaps influenced by the valley of the dry bones in the Book of Ezekiel. The Grim Reaper is often depicted as a hooded skeleton holding a scythe (and occasionally an hourglass), which has been attributed to Hans Holbein the Younger (1538). Death as one of the biblical horsemen of the Apocalypse has been depicted as a skeleton riding a horse. The Triumph of Death is a 1562 painting by Pieter Bruegel the Elder depicting an army of skeletons raiding a town and slaughtering everyone.

"The Boy Who Wanted the Willies" is a Brothers Grimm fairy tale in which a boy named Hans joins a circle of dancing skeletons.

In Japanese folklore, Mekurabe are rolling skulls with eyeballs who menace Taira no Kiyomori.

Figurines and images of skeletons doing routine things are common in Mexico's Day of the Dead celebration, where skulls symbolize life and their familiar circumstances invite levity. Highly-decorated sugar-shaped candy has become one the most recognizable elements of the celebrations.

The moderns association between skeleton iconography and the Day of the Dead was inspired by La Calavera Catrina, a zinc etching created by Mexican cartoonist José Guadalupe Posada in the 1910s and published posthumously in 1930. Initially a satire of Mexican women who were ashamed of their indigenous origins and dressed imitating the French style, wearing heavy

makeup to make their skin look whiter, it later became a more general symbol of vanity. During the 20th Century, the Catrina entrenched itself in the Mexican consciousness and became a national icon, often depicted in folk art.

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